
The problem wasnโt just the perfectly polished, yet mediocre prose. Itโs whatโs lost when we surrender the struggle to translate thought into words
I have been teaching fiction writing at MIT since 2017. Many of my students last wrote fiction in middle school, and very few have experienced a proper workshop, so at the start of every semester I offer these directions for writer and reader alike:
Read the story at least twice. Mark what works and what doesnโt โ underline great sentences, flag clunky syntax, gaps in logic and unrealistic dialogue. Ask yourself: does the story work? Why or why not? What could improve it? Answer in a signed letter to the author, attached to their story. Give your honest opinions. Remember that an effective peer review demands close reading of the text accompanied by a boldness of spirit.
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