
The reader grapples with fascism and complicity through the eyes of a mute autistic girl being treated during the second world war
As I started reading Alice Jollyโs new novel, whose narrator is a mute autistic girl in wartime Vienna, I realised that I was resisting its very premise. I am generally sceptical about books that use child narrators to add poignancy to dark plots, or novels that use nazism as a means of introducing moral jeopardy to their charactersโ journeys. And yet by the end Jolly had won me over. This is a book that walks a tightrope between sentimentality and honesty, between realism and imagination, and creates something spirited and memorable as it does so.
We meet our fierce narrator, Adelheid Brunner, when she is brought into a childrenโs hospital by her grandmother, who cannot cope with the little girlโs fixations. Adelheid is obsessed with the matchboxes of the title, which she is constantly studying, ordering and occasionally discarding. In the hospital, she finds that she and her fellow child inmates are the object of obsessive study in turn by their doctors โ sometimes understood, sometimes valued, and then, tragically, sometimes discarded.
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